Describe a taste
Jazz, brutalism, late nights, a garden after rain. Start with an artist, film, or aesthetic collision.
X / resonancesection / 01—04
SIMULATED SIGNALmotion / active
SONICArchitecture
Spaces composed as instruments. Frequencies given a section.
Scroll to enter
00 — START
Describe a taste
Your taste has a world of its own.
Give us a collision of references. The agent turns cultural signals into an architectural space you can walk through, hear, and export.
Try this
01
Type what you love.
We’ll find the architecture inside it.
From taste to place
How the world is composed / 01—03Qloo grounds form
Live Qloo taste signals ground choices for materials, lighting, acoustics, geometry, and spatial soundtracks.
Explore, hear, export
Walk the 3D room, inspect why each decision was made, and export an architectural design brief.
Why Qloo
Not a moodboard.
A point of view with evidence.
Each design choice is honestly labelled as Qloo evidence, inferred, or fallback — so the leap from what you love to what you see stays legible.
See the evidence model ↗QLOO-GROUNDED DESIGN · REAL GENERATED OUTPUT
Miles Davis + Brutalist: Brutalist listening room (4.4m monolithic ceiling), calibrated RT60 = 0.44s modal jazz resonance, modal blue velvet (#1A2238) & cognac amber (#DDA032) palette, board-formed concrete and acoustic timber slats.
WITHOUT QLOO (PROMPT-ONLY DESIGN) · BASELINE
Without Qloo (prompt-only design): Generic prompt interpretation yields standard 3.4m room dimensions, unmodulated RT60 = 0.31s, neutral slate walls (#52565C), and prompt-only default materials without cultural taste grounding.
Three conditions for a listening space
Tap to traceContain the air.
Boundaries give sound a body, pressure, and a place to arrive.
Repeat with variance.
Columns, apertures, and footsteps establish a beat — the smallest difference makes it alive.
Leave room for echo.
A good room is never finished at the wall. Its after-image is part of the composition.
Starter worlds
Grounded architectural studies / try in studioA short score for moving through space
spatial sequence / 04 movementsSequence / 002
From threshold to afterimage.
Four movements describe the passage: a door opens, a surface carries the pulse, a void widens, and the room continues vibrating after we leave it.
SIMULATED SIGNALmotion / active
movement 01 / 04
Spatial field / 003
Stand inside the sound.
Move through a sectional field. The blue point is your listening position; the lines are not walls, but the distance between acoustic events.
05 — UNDER THE HOOD
For judges / builders
Grounded taste signals become visible design decisions.
The landing page connects to the full interactive 3D studio. Sonic Architecture reveals the exact reasoning chain: Qloo cultural signals in, agent interpretation through, spatial geometry out — with real latency, cache provenance, and health telemetry.
06 — OPEN SOURCE
Repository & Contributions
Make a room resonate.
Sonic Architecture is open-source software designed for spatial identities, acoustic environments, sound installations, and cultural spaces.
github.com/shayspace04/sonic-architecture ↗